see also: Panoramas
Marlboreo 650, Camel Communicator, Kool Lite-A-Fone Slide Top
bonus! note that one month after I posted this, a *real* cigarette phone showed up! check out: The ultimate smokers phone.
Found a directory of images from a sound sculpture I created for a show at the Gershwin Hotel, in New York City, 2002.
I had the bathroom to work with.
This piece was an array of hundreds of cell phone speakers braided together through a shower curtain.
The curtain was connected to a recording of an old record on which I had drawn pictures with a soldering iron.
The sound the piece made was beautiful, and its on the page listed above, too. I wanted to make sure that the the bathroom was still usable, and I think this piece adds ambience to any toliet session. Sorta like potty art.
Ok, so now it’s out. My good friend Gardner Post and I are going to do a show in March at Optronica at the ICA in London. We’re pulling together some classic old footage from the dusty old archives, and mixing it together with some brand new material for a special one night show. I was thinking about calling it “Aged 15 Years”. But then again, I was thinking about naming my son Orange or Vector. And that went nowhere. Except that now he likes the name Orange, and even came up with a rhyme for it: Door Hinge. But I digress…
All thanks are due to the awesomeness at Addictive TV
Optronica presents for the first time in the UK, Gardner Post and Brian Kane from the massively influential, but sadly no-longer, pioneering American audiovisual act Emergency Broadcast Network (EBN). The duo will present a sharp-edged set of unseen EBN work mixed with some new material.
EBN was originally founded in the late 80′s by Gardner Post, Josh Pearson and Brian Kane, all graduates of Rhode Island School of Design. In the early 90s they pretty much invented a new standard in the culture of AV remixing, video scratching and audiovisual sampling techniques. Post was also heavily involved in the spectacular set design for the band, while Kane developed the first known VJ software called Vujak, with the charismatic Pearson also working as front man for the group.
Their modus operandi was to take cable TV broadcasts and remix them with a funky beat, often having the lyrics ‘sung’ by half-second sound bites cut together. They gained popular acclaim after their involvement with U2′s ZooTV Tour in ’92 and later released their video album “Telecommunications Breakdown” in ’95 on TVT Records.
After Kane had left the group, they were later joined by turntablist Ron O’Donnell and video effects artist Greg Deocampo. All the team still pursue personal projects and here, for Optronica, Post & Kane perform together for the first time in nearly a decade!
A special audiovisual treat not to be missed!
From 1987 through 1995, I designed many comercial holograms. These were mostly embossed foil, although a few were photopolymer, like this Terminator Boxed Set.
I had the good fortune to work with Craig Newswanger at Applied Holographics on many of these projects.
The “Alias – More than teapots” hologram was made for Siggraph 89. This was one of the first 3D rendered holograms ever made.
The work was mostly done on SGI Personal Iris PI-20 computers running Alias 2.0, which was very high tech for the time.
I have lots of these holograms, and they are pretty hard to photograph. Here are a few samples.
Outstanding dodeca-core performance for todays power hungry executive.
With its twelve execution cores, the Parthenon Dodecacore V12 computer is optimized for multi-threaded applications and multitasking, such as word processing and email.
Command the power you’ve earned.
HP Brunswick 300 portable computer w/ enhanced Round Format HDADHDV monitor for tight focus.
The computer that goes up to 11. Fat Panel sold seperately.